This will be the map of your heart, old woman.
In an ancient time, in a faraway land, a young woman named Aoife is allowed a rare apprenticeship to become her kingdom’s mapmaker, tasked with charting the entire domain. Traveling beyond its borders, she finds a secretive people who live in peace, among great wealth. They claim to protect a mythic treasure, one connected to the creation of the world. When Aoife reports their existence to her kingdom, the community is targeted as a threat. Attempting to warn them of imminent danger, Aoife is exiled for treason and finds refuge among the very people who had been declared her enemy. With them, she begins a new life surrounded by kindness, equality, and cooperation. But within herself, Aoife has no peace. She cannot share the grief she feels for the home and children she left behind. She cannot bear the warrior scars of the man she comes to love. And when she gives birth to their gifted daughter, Aoife cannot avoid what the child forces her to confront about her past and its truth. On this most important of journeys, there is no map to guide her. In this tale—her autobiography— Aoife reveals her pain and joy, and ultimately her transformation.
The Mapmaker’s War is a mesmerizing, utterly original adventure about love and loss and the redemptive power of the human spirit.
Curious about how the trilogy came into being?
Visit here to see a timeline.
Go to my YouTube channel to hear and watch interviews and book discussions. Watch an interview about The Mapmaker’s War and The Chronicle of Secret Riven. Listen to a radio interview about The Plague Diaries. Listen to the first-ever book discussion about the entire Keeper of Tales Trilogy (there are spoilers).
“Journey to the heart of a fairy-tale land with doomed queens, epic quests, and enemy kingdoms in The Mapmaker’s War. Ronlyn Domingue’s jewel of a book has a big canvas, memorable characters, and intimate storytelling. You will be swept away by this otherworldly tale that charts the all-too-human territory between heartbreak and hope.”
—Deborah Harkness, New York Times bestselling author of Shadow of Night and The Book of Life
“Reminiscent of Margaret Atwood's best work and yet wholly its own, The Mapmaker’s War evokes one of its heroine’s fantastic, world-defining maps: giving lines to human landscapes as old as myth, seemingly for the first time. You won’t be able to put this book down, and it will take you somewhere you've never been, leaving you transformed.”
—Carolyn Turgeon, author of Mermaid and The Fairest of Them All
“A map can make sense out of the seen world. But it can also evoke greed. And what of a map of the heart? Legend, allegory, fantasy—this second novel by Domingue entwines genres to cast a spell upon its reader.... A curious, thought-provoking story about how the heart’s terrain bears charting, too.”
“Beautifully capturing the tone and voice of a classically told tale, Ronlyn Domingue crafts a deeply intelligent, richly enhanced tale of magic, power, greed, and the infinite resilience of the human heart.”
—New York Journal of Books
“Domingue deftly explores themes of motherhood, gender equality, and the powerful ties that bind us to our roots, while at the same time mesmerizing the reader with the story of a mythical land struggling to protect itself from the greed and jealousy of the slowly encroaching outside world.”
Excerpt from The Mapmaker's War
This narrative is an exceptional rarity. The source language scarcely has been heard spoken outside its cultural borders. Until the acquisition of this work, the presumption was that no writing system existed for the language. In remarkable condition despite its age, the handwritten manuscript is not only one of the earliest known autobiographies but also one of the first attributed to a woman.
The author’s rhetorical structure defies the conventions of any period; she addresses herself throughout and appears to be her own audience. Further, while matters of war and society are so often the domain of chroniclers, historians, and philosophers, this author offers a concurrent, heretofore unknown representation of past events through the story of a participant and a survivor.
Simplified pronunciations of several proper names are as follows. Aoife [ee-fah]; Ciaran [keer-ahn]; Wyl [will]; Aza [ah-zah]; Edik [ed-ick]; Leit [lite]; Wei [why]; and Makha [mahk-ah].
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